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Back Porch Writer's avatar

Thanks for sharing, Anna, Tod. 🙇‍♂️

I'd say Ray Porter's advice about giving important details up front. I hate info dumps, especially the multi-page ones, with a passion. 😠

Conversely, this causes me to go light on description. I have to apportion description through the manuscript, which means choosing which aspects to focus on from the beginning.

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A. Kristina Casasent's avatar

Getting the description-action balance is definitely a good thing to look at. Although, you have to admire the authors who can make you enjoy pages of description.

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Back Porch Writer's avatar

If they're that good, they should be sainted, IMHO. Because dropping multi-page info dumps on me, is a sure way for me to drop the book and author. Let my imagination fill in the blanks. 🙂

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A. Kristina Casasent's avatar

Yes, but, it is a balance. You have to give enough to have some pictures of the person. Going through 120 pages and not having it clear that your character was from a different country with a different accent and has a complete different background... Means the basics aren't there.

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Back Porch Writer's avatar

Point. My tastes and biases were formed from reading Roger Zelazny, so I like tight, almost strait-jacket, description.

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A. Kristina Casasent's avatar

Tight can be good. It just is a matter of clarity.

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Tiffanie Gray's avatar

You can do anything by not everything. Having a roadmap speeds things up, so set expectations and follow through, while planning for adversity and remember that grand people are everywhere.

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A. Kristina Casasent's avatar

Yes! I totally feel like so much of it applied to my every day life and not just my writing.

And I think the hardest to remember is the first one " you can do anything, but not everything."

It is because of that pesky thing called time...

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Tiffanie Gray's avatar

Oh, my gosh, yes! Time is the dream killer...If I couldn't have the super power of cloning myself multiple times, Stopping or stretching time would be the next.

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